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He filled the rest of the story with pure entertainment. There are over 5-6 key sentiment (family oriented scenes) that bind the entire story.

Trivikram has exploited the strengths of Pawan Kalyan to maximum extent to entertain us. The dialogue writer helps him in getting the mood of scene across to the audiences with humor dialogues and sugar-coated message-oriented dialogues. He has also made sure that there is loads of entertainment and right sentiment in key scenes. He has implemented all his worldly knowledge and taste into creating characters and writing dialogues. What makes this simple story work is the setting up of backdrops and treatment given by Trivikram. Story - screenplay - direction: It’s a simple story of a guy who wants to unite two families. Devi Sri Prasad gives a guest appearance as himself in ‘ninnu choodagane’ song.

Mukesh Rushi plays a dignified role of Pawan’s father. Dr Bharat Reddy gets an important role and justifies it. Posani Krishna Murali did a financier’s role. Mumtaz and Hamsa Nandini did an appearance in a club song. Brahmanandam entertains again as Bascar who instills an award called Bascars (to compete with Oscars) to award himself for his film Radiator (inspired by Gladiator). There are a couple of powerful and heart touching dialogues given to him. MS Narayana is cool and entertaining as Pawan’s assistant. Rao Ramesh is excellent as a father and he is growing big as an actor from film to film. Nadiya is dignified in a key role and her performance becomes an essential to make this story work. Boman Irani is excellent as an ailing grandfather and entire film runs on him though his screen space is less. Bapu gari bommo song is shot on Praneetha. Praneetha has done a nice job as a modern girl who is forced to be traditional. But Samantha made she that she hogs limelight in all the scenes she is in. There is less of a romance angle in the film. Others: Samantha’s ‘golden leg’ run continues with this film as well. His dance movements are entertaining and hilarious in some songs (especially Kevvu Keka baba song). Entertaining crowds comes naturally to him and he delivers the finest entertainment in this movie. He has given his career best performance in the climax of this film.

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The character of Gowtam Nandan has given him a chance to exhibit his full range of acting and entertaining skills. At the same time, he is best at doing mass stuffs (the Kevvu Keka baba step in this film for example). Pawan Kalyan has a fascination towards acquiring world tastes (like speaking in spanish, exhibiting body language of uber cool guys).

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Trivikram knows how to exploit these two abilities to get maximum entertainment and intensity (sentiment in this film) from Pawan Kalyan. Other ability to show intensity and conviction in his dialogues and eyes while doing a serious scenes. One is his ability to entertain with his unique and trademarked body-language. Pawan Kalyan: Pawan Kalyan has two primary abilities. The rest of the story is all about how Gowtam convinces his attha and fulfils the wish of his grandfather.

After getting old, Raghunandam who is going through guilt asks Gowtam to convince his daughter and bring her back. Raghunandan and Sunanda have no communication for decades. Raghunandan disowns his daughter Sunanda when she marries a guy of her choice. Gowtam Nandan (Pawan Kalyan) is his grandson. Ragunandan (Boman Irani) is a multi-billionaire in Milan.